102 10 26636 Score A musical score. Copyright (this edition) 1944 Refrain Line or lines repeated in the music, also known as the chorus. Drinkin' rum and Coca-Cola, go down Point Koomahnah First Line The opening line of the score. If you ever go to Trinidad they make you feel so very glad Instrumentation The instruments used to play the music. Piano Composer Jeri Sullavan Paul Baron Lyricist Albert Stillman Morey Amsterdam Performer Abe Lyman The Andrews Sisters Vaughn Monroe Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Paul Baron and Jeri Sullavan. Words by Al Stillman and Morey Amsterdam. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rum And Coca-Cola Score A musical score. Copyright (this edition) 1962 Refrain Line or lines repeated in the music, also known as the chorus. Hey there, lonely girl, lonely girl let me make First Line The opening line of the score. Ever since he broke your heart, you seem so lost Instrumentation The instruments used to play the music. Piano Composer Earl Shuman Leon Carr Lyricist Earl Shuman Leon Carr Performer Martha Reeves and the Vandellas Ruby and the Romantics Donnie Osmond Eddie Holman Robert John Shaun Cassidy Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Leon Carr and Earl Shuman. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hey There, Lonely Girl Score A musical score. Copyright (this edition) 1958 Refrain Line or lines repeated in the music, also known as the chorus. Well, shut them books and throw 'em away First Line The opening line of the score. It's summertime, summertime, sum-sum-summertime. Summertime Instrumentation The instruments used to play the music. Piano Composer Sherm Feller Tom Jameson Lyricist Sherm Feller Tom Jameson Performer Jan and Dean The Jamies Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Sherm Feller and Tom Jameson. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summertime, Summertime Score A musical score. Copyright (this edition) 1955 Refrain Line or lines repeated in the music, also known as the chorus. I don't want my arms around you no, not much Instrumentation The instruments used to play the music. Piano Composer Robert Allen Lyricist Albert Stillman Performer King Pleasure Dick Hyman Robert Palmer The Four Lads The Gatlin Brothers The Vogues Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Robert Allen. Words by Al Stillman. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No, Not Much Score A musical score. Copyright (this edition) 1937 Refrain Line or lines repeated in the music, also known as the chorus. Have you met Miss Jones? Some one said as First Line The opening line of the score. It happened, I felt it happen. I was awake, Instrumentation The instruments used to play the music. Piano Composer Richard Rodgers Lyricist Lorenz Hart Performer Anita Ellis Art Tatum Austin Marshall Bobby Howes Chet Baker Ella Fitzgerald Frank Sinatra Jane Russell Joy Hodges Mel Torme Tony Bennett Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard Rodgers. Words by Lorenz Hart. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Have You Met Miss Jones? Relation A related resource I'd Rather Be Right Score A musical score. Copyright (this edition) 1928 First Line The opening line of the score. In this year of seventeen ninety two Our Instrumentation The instruments used to play the music. Piano Composer Sigmund Romberg Lyricist Oscar Hammerstein II Performer Evelyn Herbert Grace Moore Jeanette MacDonald Nat Shilkret Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Sigmund Romberg. Words by Oscar Hammerstein II. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One Kiss Relation A related resource New Moon Score A musical score. Copyright (this edition) 1948 Refrain Line or lines repeated in the music, also known as the chorus. There we met and there we parted by the lovely river First Line The opening line of the score. Whenever it's springtime in Paris and many hearts are aflame Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Original French lyric by Flavien Monod and Guy LaF Composer Guy LaFarge Lyricist Alan Holt Allan Roberts Favlien Monod Guy LaFarge Performer Pierre and Hi Felere Dean Martin Doris Day Jane Morgan Roger Williams Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Guy LaFarge. Words by Alan Holt, Allan Roberts, Guy LaFarge and Favlien Monod. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource River Seine Score A musical score. Copyright (this edition) 1948 First Line The opening line of the score. You can't be true, dear There's nothing more Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. You Can't Be True Dear was adapted from the song Composer Hans Otten Ken Griffen Lyricist Hal Cotton Hal Ebeler Performer Dick Haymes Dick James Jerry Wayne Ken Griffin The Marlin Sisters The Sportsmen Vera Lynn Will Glahe Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Ken Griffen and Hans Otten. Words by Hal Ebeler and Hal Cotton. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource You Can't Be True Dear Score A musical score. Copyright (this edition) 1947 Refrain Line or lines repeated in the music, also known as the chorus. I was only passing by and then you caught my eye First Line The opening line of the score. Walking alone along a crowded street, I happened to meet Instrumentation The instruments used to play the music. Piano Composer John Hess Lyricist Charles Trenet Jack Lawrence Performer Frankie Carle Irene Kral Jo Stafford Remo Capra Tony Martin Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by John Hess. Words by Charles Trenet and Jack Lawrence. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passing By Score A musical score. Copyright (this edition) 1929 Refrain Line or lines repeated in the music, also known as the chorus. You were meant for me, I was meant First Line The opening line of the score. Life was a song, You came along, I've Instrumentation The instruments used to play the music. Piano Composer Nacio Herb Brown Lyricist Arthur Freed Performer Anita Page Ben Selvin Connie Boswell Dan Daily Debbie Reynolds Gene Kelly Gordon MacRae Nat Shilkret Winnie Lightner Charles E. King Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Nacio Herb Brown. Words by Arthur Freed. DEV_ISSUE_ID This is a development field that was used to link this item with another. 208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource You Were Meant For Me Relation A related resource Broadway Melody