1043 10 26636 Score A musical score. Copyright (this edition) 1965 Refrain Line or lines repeated in the music, also known as the chorus. Child of our times, Child of our times, First Line The opening line of the score. Take your first look around and see the world Instrumentation The instruments used to play the music. Piano Guitar Composer P. F. Sloan Lyricist P. F. Sloan Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by P. F. Sloan. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Child of Our Times Score A musical score. Copyright (this edition) 1965 First Line The opening line of the score. Proudly we bear the name of the Infantry, Instrumentation The instruments used to play the music. Piano Guitar Composer Leonard Adelson Leonard Rosenman Byline Raw byline information, carried over from previous iterations of the sheet music database. By Leonard Adelson and Leonard Rosenman. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Combat Relation A related resource Combat Score A musical score. Copyright (this edition) 1947 Refrain Line or lines repeated in the music, also known as the chorus. Come to me, bend to me kiss me good day! First Line The opening line of the score. Because they've told me I can't behold ye till weddin' music starts Instrumentation The instruments used to play the music. Piano Guitar Composer Frederick Loewe Lyricist Alan Jay Lerner Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Frederick Loewe. Words by Alan Jay Lerner. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To Me, Bend To Me Relation A related resource Brigadoon Score A musical score. Copyright (this edition) 1934 First Line The opening line of the score. This is the Champagne Waltz, This is the dance Instrumentation The instruments used to play the music. Piano Guitar Composer Ben Oakland Con Conrad Milton Drake Lyricist Ben Oakland Con Conrad Milton Drake Performer Jack Denny Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Milton Drake, Ben Oakland and Con Conrad. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Champagne Waltz Wedding Score A musical score. Copyright (this edition) 1938 First Line The opening line of the score. There's a cocoanut grove where life Instrumentation The instruments used to play the music. Piano Guitar Composer Harry Owens Lyricist Harry Owens Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Harry Owens. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cocoanut Grove Relation A related resource Cocoanut Grove Score A musical score. Subtitle Bossa Nova Copyright (this edition) 1964 First Line The opening line of the score. Can't get over bossa nova. That Brazilian beat Instrumentation The instruments used to play the music. Piano Guitar Composer Eydie Gorme Steve Lawrence Marilyn Gins Byline Raw byline information, carried over from previous iterations of the sheet music database. By Marilyn Gins, Eydie Gorme and Steve Lawrence. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Can't Get Over Score A musical score. Copyright (this edition) 1965 First Line The opening line of the score. I was born in the shadow of a cotton mill Instrumentation The instruments used to play the music. Piano Guitar Composer Joe Langston Lyricist Joe Langston Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Joe Langston. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cotton Mill Man Score A musical score. Copyright (this edition) 1963 First Line The opening line of the score. Come back to me, my love; come back Instrumentation The instruments used to play the music. Piano Guitar Composer Marion Marini Sydney Lee Byline Raw byline information, carried over from previous iterations of the sheet music database. By Sydney Lee and Marion Marini. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back to Me, My Love Score A musical score. Subtitle What Makes Your Big Head So Hard Copyright (this edition) 1946 First Line The opening line of the score. Walkin' with mah baby, she's got great big feet, she's long, lean and lanky Instrumentation The instruments used to play the music. Piano Guitar Composer Fleecie Moore Lyricist Fleecie Moore Performer Louis Jordan Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Fleecie Moore. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caldonia Score A musical score. Copyright (this edition) 1964 First Line The opening line of the score. C'est comme ca, c'est comme ca, pleast don't ask Instrumentation The instruments used to play the music. Piano Guitar Composer Duke Ellington Marshall Barer Byline Raw byline information, carried over from previous iterations of the sheet music database. By Duke Ellington and Marshall Barer. DEV_BOOK_ID This is a development field that was used to link this item with another. 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C'est Comme Ca