1379 10 26636 Score A musical score. Copyright (this edition) 1957 Refrain Line or lines repeated in the music, also known as the chorus. Dig that crazy mob! They're waiting for the shish kabob First Line The opening line of the score. Damascus and Beirut, you don't need too much Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Eddie Kochak George Thorn Karl Karol Lyricist Eddie Kochak George Thorn Karl Karol Arranger Dick Kent Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Dick Kent. Words and music by George Thorn, Karl Karol and Eddie Kochak. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shish Kabob Rock Score A musical score. Copyright (this edition) 1956 First Line The opening line of the score. Oh, Shirley, oh, Shirley, oh, Shirley oh. Please don't leave Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Arnold Maxin Gene Redd Lyricist Arnold Maxin Gene Redd Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Gene Redd and Arnold Maxin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shirley Score A musical score. Copyright (this edition) 1974 Refrain Line or lines repeated in the music, also known as the chorus. Ship of fools on a cruel sea; ship of fools First Line The opening line of the score. Went to see the captain, strangest I could find Instrumentation The instruments used to play the music. Piano Guitar Composer Jerry Garcia Lyricist Robert Hunter Performer The Grateful Dead Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Jerry Garcia. Words by Robert Hunter. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ship of Fools Score A musical score. Copyright (this edition) 1913 First Line The opening line of the score. Tell me, tell me, where are you sailing, shipmates Instrumentation The instruments used to play the music. Piano Composer Wilfred Sanderson Lyricist Edward Teschemacher Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Wilfred Sanderson. Words by Ed Teschemacher. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shipmates O' Mine Score A musical score. Copyright (this edition) 1932 First Line The opening line of the score. 'Cause my hair is curly 'cause my teeth are pearly Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. incomplete piece Composer Cecil Mack Ford Dabney Lew Brown Lyricist Cecil Mack Ford Dabney Lew Brown Arranger Bernie Green Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Bernie Green. Words and music by Ford Dabney, Lew Brown and Cecil Mack. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S H I N E Score A musical score. Copyright (this edition) 1950 First Line The opening line of the score. When the day is hotly quiet and the breeze seems Instrumentation The instruments used to play the music. Piano Guitar Composer Mary M. Hadler Lyricist V. C. Gilbert Performer Billy Vaughn Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Mary M. Hadler. Words by V. C. Gilbert. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shifting, Whispering Sands Score A musical score. Copyright (this edition) 1963 Refrain Line or lines repeated in the music, also known as the chorus. She's too far above me by half, she is. Instrumentation The instruments used to play the music. Piano Guitar Composer David Heneker Lyricist David Heneker Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by David Heneker. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She's Too Far Above Me Relation A related resource Half A Sixpence Score A musical score. Copyright (this edition) 1915 Refrain Line or lines repeated in the music, also known as the chorus. She's the fairest of Ireland's fair daughters First Line The opening line of the score. I was dreaming last night Instrumentation The instruments used to play the music. Piano Composer Ernest R. Ball Lyricist Jeff T. Nenarb Byline Raw byline information, carried over from previous iterations of the sheet music database. Voice English Note Miscellaneous information about this record. Folio size (pre-1920) Original Copyright 1915 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She's The Daughter Of Mother Machree Publisher An entity responsible for making the resource available M. Witmark & Sons Score A musical score. Copyright (this edition) 1959 Refrain Line or lines repeated in the music, also known as the chorus. She's sumpin', she's sumpin' else, yea! She's sumpin' First Line The opening line of the score. Well, now I've been down to Georgia, Mississippi Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Dennis Binder Lyricist Dennis Binder Arranger Dick Kent Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Dick Kent. Words and music by Dennis Binder. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She's Sumpin' Else Score A musical score. Copyright (this edition) 1962 Refrain Line or lines repeated in the music, also known as the chorus. Her hair is soft and her eyes are, oh, so blue. Instrumentation The instruments used to play the music. Piano Guitar Composer Doc Pomus Jerry Leiber Mike Stoller Lyricist Doc Pomus Jerry Leiber Mike Stoller Performer Elvis Presley Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Doc Pomus, Mike Stoller and Jerry Leiber. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She's Not You