1595 10 26636 Score A musical score. Copyright (this edition) 1955 Refrain Line or lines repeated in the music, also known as the chorus. I never ever kissed a man before. I say goodnight Instrumentation The instruments used to play the music. Piano Guitar Composer Ben Weisman Lyricist Fred Wise Kay Twomey Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Ben Weisman. Words by Fred Wise and Kay Twomey. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh Yeah Score A musical score. Copyright (this edition) 1927 First Line The opening line of the score. Night and day, I'm infatuated, fascinated, captivated, by a melody Instrumentation The instruments used to play the music. Piano Guitar Composer Alexandrai De Markoff Lyricist Raymond Klages Performer Paul Whiteman Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Alexandrai De Markoff. Words by Raymond Klages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O, Ya Ya Score A musical score. Copyright (this edition) 1946 Refrain Line or lines repeated in the music, also known as the chorus. Why, oh why, did I ever leave Wyoming? Why, oh why First Line The opening line of the score. Oh! give me back my prairie with the cattle and wild game Instrumentation The instruments used to play the music. Piano Guitar Composer Morey Amsterdam Lyricist Morey Amsterdam Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Morey Amsterdam. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh Why, Oh Why, Did I Ever Leave Wyoming Score A musical score. Copyright (this edition) 1930 Refrain Line or lines repeated in the music, also known as the chorus. Oh why do you say you love me? First Line The opening line of the score. Tell me the words that will fill me Instrumentation The instruments used to play the music. Piano Ukulele Composer Harry Woods Herbert Stothart Lyricist Arthur Freed Arranger Milt Coleman Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Harry Woods and Herbert Stothart. Words by Arthur Freed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh Why Relation A related resource Lady's Morals Score A musical score. Copyright (this edition) 1965 First Line The opening line of the score. O where is the boy that went over the sea? Instrumentation The instruments used to play the music. Piano Guitar Composer Marie Rich Rockwood Lyricist Marie Rich Rockwood Arranger Dick Kent Loryn Deane Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Dick Kent and Loryn Deane. Words and music by Marie Rich Rockwood. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O Where Is The Boy That Went Over The Sea Score A musical score. Copyright (this edition) 1945 Refrain Line or lines repeated in the music, also known as the chorus. It was just a neighborhood dance, that's all it was First Line The opening line of the score. When I'm walking through the park, I'm not in the park Instrumentation The instruments used to play the music. Piano Guitar Composer Frankie Carle Bennie Benjamin George David Weiss Lyricist Frankie Carle Bennie Benjamin George David Weiss Performer Frankie Carle Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Frankie Carle, George David Weiss and Bennie Benjamin. Original Copyright 1945 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh What It Seemed To Be Score A musical score. Copyright (this edition) 1919 Refrain Line or lines repeated in the music, also known as the chorus. Oh what a gal was Mary oh what a pal was she First Line The opening line of the score. Mary o mine Mary o mine grew like a rose Instrumentation The instruments used to play the music. Piano Composer Pete Wendling Lyricist Bert Kalmar Edgar Leslie Arranger Fred E. Ahlert Byline Raw byline information, carried over from previous iterations of the sheet music database. Voice English Note Miscellaneous information about this record. Folio size (pre-1920) Original Copyright 1919 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh What A Pal Was Mary Publisher An entity responsible for making the resource available Waterson Berlin & Snyder Co. Score A musical score. Copyright (this edition) 1928 Refrain Line or lines repeated in the music, also known as the chorus. Drizzle! Drizzle! the party's a fizzle, but oh! First Line The opening line of the score. Mary and Marty, were bound for a party and just then Instrumentation The instruments used to play the music. Piano Ukulele Composer Seger Ellis Lyricist Al Koppel Jean Herbert Arranger Hank Linet Performer Lillian Roth Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Seger Ellis. Words by Al Koppel and Jean Herbert. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O What A Night To Love Relation A related resource Earl Carroll Vanities Score A musical score. Copyright (this edition) 1964 First Line The opening line of the score. You think that you're very smart, you're breaking Instrumentation The instruments used to play the music. Piano Guitar Composer Herb Bernstein Lou Bartel Lyricist Herb Bernstein Lou Bartel Arranger Dick Kent Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Dick Kent. Words and music by Herb Bernstein and Lou Bartel. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh What A Fool Score A musical score. Copyright (this edition) 1959 First Line The opening line of the score. Oh, what a feeling, oh, what a night Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Bob Millsap Danny Wolfe Lyricist Bob Millsap Danny Wolfe Arranger George N. Terry Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by George N. Terry. Words and music by Bob Millsap and Danny Wolfe. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oh, What A Feeling