1604 10 26636 Score A musical score. Copyright (this edition) 1934 First Line The opening line of the score. When the cows come home And the milkin' Instrumentation The instruments used to play the music. Piano Composer Richard A. Whiting Lyricist Gus Kahn Arranger Marlin Skiles Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard A. Whiting. Words by Gus Kahn. Arranged by Marlin Skiles. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Waitin' At The Gate For Katy Relation A related resource Bottoms Up Score A musical score. Copyright (this edition) 1967 First Line The opening line of the score. Who cares how cold and gray the day Instrumentation The instruments used to play the music. Piano Guitar Composer Henry Mancini Lyricist Jay Livingston Ray Evans Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Henry Mancini. Words by Ray Evans and Jay Livingston. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Until Dark Relation A related resource Wait Until Dark Score A musical score. Copyright (this edition) 1965 Refrain Line or lines repeated in the music, also known as the chorus. Ten, twenty, thirty Then we're forty, Wait till First Line The opening line of the score. Guaranteed income, House with a view, Instrumentation The instruments used to play the music. Piano Guitar Composer Burton Lane Lyricist Alan Jay Lerner Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Burton Lane. Words by Alan Jay Lerner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till We're Sixty-Five Relation A related resource On A Good Day You Can See Forever Score A musical score. Copyright (this edition) 1929 Refrain Line or lines repeated in the music, also known as the chorus. See that gal across the street There's no First Line The opening line of the score. I just met a friend of mine upon Instrumentation The instruments used to play the music. Piano Ukulele Composer Richard A. Whiting Lyricist Leo Robin Performer Maurice Chevalier Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard A. Whiting. Words by Leo Robin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till You See Ma Cherie Score A musical score. Copyright (this edition) 1942 Refrain Line or lines repeated in the music, also known as the chorus. Wait till you see her, see how she First Line The opening line of the score. My friends who knew me, Never would know Instrumentation The instruments used to play the music. Piano Guitar Composer Richard Rodgers Lyricist Lorenz Hart Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard Rodgers. Words by Lorenz Hart. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till You See Her Score A musical score. Copyright (this edition) 1958 Refrain Line or lines repeated in the music, also known as the chorus. Wait till tomorrow and you're sure to find First Line The opening line of the score. You may think that love has passed you Instrumentation The instruments used to play the music. Piano Guitar Composer Lee Pockriss Paul J. Vance Lyricist Lee Pockriss Paul J. Vance Performer Eileen Rodgers Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Paul J. Vance and Lee Pockriss. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till Tomorrow Score A musical score. Copyright (this edition) 1905 First Line The opening line of the score. On a Sunday morn sat a maid forlorn Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Harry Von Tilzer's Great Novelty March Song Composer Harry Von Tilzer Lyricist Andrew B. Sterling Original Copyright 1905 Voice English Refrain Line or lines repeated in the music, also known as the chorus. Wait till the sun shines Nellie Performer Katie Rooney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till The Sun Shines Nellie Publisher An entity responsible for making the resource available Harry Von Tilzer Music Pub. Co. Score A musical score. Copyright (this edition) 1905 Refrain Line or lines repeated in the music, also known as the chorus. Wait 'till the sun shines, Nellie, When the First Line The opening line of the score. On a Sunday morn - sat a maid forlorn Instrumentation The instruments used to play the music. Piano Banjo Guitar Violin Composer Harry Von Tilzer Lyricist Andrew B. Sterling Performer Katie Rooney Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Harry Von Tilzer. Words by Andrew B. Sterling. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait 'Till The Sun Shines, Nellie Relation A related resource Birth of the Blues Score A musical score. Copyright (this edition) 1924 Refrain Line or lines repeated in the music, also known as the chorus. So wait till the morning after, Wait till First Line The opening line of the score. This night brings song and laughter, Instrumentation The instruments used to play the music. Piano Composer Richard A. Whiting Lyricist Raymond B. Egan Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard A. Whiting. Words by Raymond B. Egan. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till The Morning After Score A musical score. Copyright (this edition) 1917 Refrain Line or lines repeated in the music, also known as the chorus. Won't you wait till the cows come home, First Line The opening line of the score. Way down on the dear old farm City Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Ivan Caryll Lyricist Anne Caldwell R. H. Burnside Performer Fred Stone Original Copyright 1917 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait Till The Cows Come Home Relation A related resource Jack O' Lantern Language A language of the resource English