1769 10 26636 Score A musical score. Copyright (this edition) 1959 Refrain Line or lines repeated in the music, also known as the chorus. I'm mashuga for my sugar and my sugar's mashuga for me First Line The opening line of the score. Things were mild till I met my honey. Now I'm wild Instrumentation The instruments used to play the music. Piano Guitar Ukulele Composer Eddie White Max Wolfson Sid Danoff Lyricist Eddie White Max Wolfson Sid Danoff Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Sid Danoff, Max Wolfson and Eddie White. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mashuga Score A musical score. Copyright (this edition) 1932 Refrain Line or lines repeated in the music, also known as the chorus. For it is Mary, Mary, plain as any name can be First Line The opening line of the score. My mother's name was Mary, she was so good and true Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer George M. Cohan Lyricist George M. Cohan Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by George M. Cohan. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary's A Grand Old Name Relation A related resource Forty-Five Minutes From Broadway Score A musical score. Copyright (this edition) 1914 Refrain Line or lines repeated in the music, also known as the chorus. Mary, you're a little bit old fashion'd, Mary you're First Line The opening line of the score. She was just turn'd seventeen, he was twenty one Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer Henry I. Marshall Lyricist Marion Sunshine Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Henry I. Marshall. Words by Marion Sunshine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary, You're A Little Bit Old Fashioned Score A musical score. Copyright (this edition) 1926 Refrain Line or lines repeated in the music, also known as the chorus. Mary Lou, Mary Lou, cross my heart I love you! First Line The opening line of the score. I have something on my mind that I've just got to say Instrumentation The instruments used to play the music. Piano Ukulele Composer Abe Lyman George Waggner J. Russel Robinson Arranger Harry Tiedeman Byline Raw byline information, carried over from previous iterations of the sheet music database. By J. Russell Robinson, George Waggner and Abe Lyman. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Lou Score A musical score. First Line The opening line of the score. I hear this distant thunder hum, Maryland! my Maryland! Instrumentation The instruments used to play the music. Piano Guitar Note Miscellaneous information about this record. Official State Song Lyricist James Ryder Randall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maryland! My Maryland! State song Score A musical score. Copyright (this edition) 1981 Refrain Line or lines repeated in the music, also known as the chorus. There's a corner in my heart, that I'll always keep apart First Line The opening line of the score. Just a slip of a girlie rare, is the theme of my love Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer J. Russel Robinson Lyricist Andy Razaf Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by J. Russell Robinson. Words by Andy Razaf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Jane Score A musical score. Copyright (this edition) 1967 First Line The opening line of the score. Nothing's quite as pretty as Mary in the morning Instrumentation The instruments used to play the music. Piano Guitar Composer Johnny Cymbal Mike Lendell Lyricist Johnny Cymbal Mike Lendell Performer Al Martino Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Mike Lendell and Johnny Cymbal. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary In The Morning Score A musical score. Copyright (this edition) 1929 First Line The opening line of the score. Mary, Mary, I love you. Mary, Mary, can't you see Instrumentation The instruments used to play the music. Piano Composer Mack Gordon Max Rich Lyricist Mack Gordon Max Rich Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Max Rich and Mack Gordon. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary I Love You Score A musical score. Copyright (this edition) 1929 Refrain Line or lines repeated in the music, also known as the chorus. Mary Della, what can a fella do, when he keeps First Line The opening line of the score. Called her up, no one there, tried to find her Instrumentation The instruments used to play the music. Piano Banjo Ukulele Composer Pratt Rudolph Sherman the three doctors Byline Raw byline information, carried over from previous iterations of the sheet music database. By Rudolph, Sherman, Pratt and the three doctors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Della Score A musical score. Subtitle Some Day We Will Meet Again Copyright (this edition) 1922 Refrain Line or lines repeated in the music, also known as the chorus. Mary dear, can't you hear? I'm calling for you First Line The opening line of the score. Vesper bells are calling, in a plaintive tone Instrumentation The instruments used to play the music. Piano Composer Harry De Costa M. K. Jerome Byline Raw byline information, carried over from previous iterations of the sheet music database. By M.K. Jerome and Harry De Costa. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary, Dear