1867 10 26636 Score A musical score. Copyright (this edition) 1936 Refrain Line or lines repeated in the music, also known as the chorus. You Gee! but you're wonderful You lovely You! First Line The opening line of the score. You're the inspiration of my fondest dreams Here's Instrumentation The instruments used to play the music. Piano Guitar Composer Walter Donaldson Lyricist Harold Adamson Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Walter Donaldson. Words by Harold Adamson. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource You Relation A related resource Great Ziegfeld Score A musical score. Copyright (this edition) 1983 Refrain Line or lines repeated in the music, also known as the chorus. Yor's world, here to stay, come what may; First Line The opening line of the score. Lost in the world of the past, like Instrumentation The instruments used to play the music. Piano Guitar Composer Guido Deangelis Maurizio Deangelis Lyricist Barbara Antonia Cesare De Natalie Pauline Hanna Susan Duncan-Smith Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Maurizio Deangelis and Guido Deangelis. Words by Susan Duncan-Smith, Cesare De Natalie, Pauline Hanna and Barbara Antonia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yor's World Relation A related resource Yor - Hunter From The Future Score A musical score. Copyright (this edition) 1936 Refrain Line or lines repeated in the music, also known as the chorus. Here are you and here am I, no moon in view First Line The opening line of the score. Sweetheart, hears a little proposition that I've been Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer Russ Columbo Grace Hamilton Jack Stern Byline Raw byline information, carried over from previous iterations of the sheet music database. By Jack Stern, Grace Hamilton and Russ Columbo. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Pretend There's A Moon Relation A related resource Wake Up And Dream Score A musical score. Copyright (this edition) 1940 Refrain Line or lines repeated in the music, also known as the chorus. Though I know that our love dreams are over First Line The opening line of the score. few words in anger were spoken a kiss, and a tear Instrumentation The instruments used to play the music. Piano Guitar Composer Al Trace Ben Trace Jack Fascinato Lyricist Al Trace Ben Trace Jack Fascinato Arranger John Bach Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by John Bach. Words and music by Jack Fascinato, Al Trace and Ben Trace. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Pretend That We're Sweethearts Again Score A musical score. Subtitle We Never Said Goodbye Copyright (this edition) 1953 First Line The opening line of the score. Oh let's pretend that we're meeting the very first time Instrumentation The instruments used to play the music. Piano Guitar Composer O. Sarra Lyricist Bob Marcus Riccardo Morbelli Arranger George N. Terry Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by O. Sarra. Words by Bob Marcus and Riccardo Morbelli. Arranged by George N. Terry. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Pretend Score A musical score. Copyright (this edition) 1962 Refrain Line or lines repeated in the music, also known as the chorus. Let's not be sensible! Let's not be practical! Instrumentation The instruments used to play the music. Piano Guitar Composer James Van Heusen Lyricist Sammy Cahn Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by James Van Heusen. Words by Sammy Cahn. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Not Be Sensible Relation A related resource Road To Hong Kong Score A musical score. Copyright (this edition) 1920 Refrain Line or lines repeated in the music, also known as the chorus. Let's love, dear heart, let's love, for there First Line The opening line of the score. We can spend all our time in the yesterday, and dream Instrumentation The instruments used to play the music. Piano Composer William A. Gebhardt Lyricist John J. Burke Performer The Archers Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by William A. Gebhardt. Words by John J. Burke. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Love Score A musical score. Copyright (this edition) 1932 Refrain Line or lines repeated in the music, also known as the chorus. Just around the corner, there's a rainbow in the sky First Line The opening line of the score. Why worry when skies are gray, why should we complain Instrumentation The instruments used to play the music. Piano Banjo Ukulele Composer Irving Berlin Lyricist Irving Berlin Arranger May Singhi Breen Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by May Singhi Breen. Words and music by Irving Berlin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Have Another Cup O' Coffee Score A musical score. Copyright (this edition) 1984 Refrain Line or lines repeated in the music, also known as the chorus. Let's hear it for the boy, let's give the boy a hand First Line The opening line of the score. My baby he don't talk sweet, he ain't got much to say Instrumentation The instruments used to play the music. Piano Guitar Composer Tom Snow Lyricist Dean Pitchford Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Tom Snow. Words by Dean Pitchford. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Hear It For The Boy Relation A related resource Footloose Score A musical score. Copyright (this edition) 1966 Refrain Line or lines repeated in the music, also known as the chorus. Let others plan the future, I'm busy loving you. First Line The opening line of the score. When I think of all the worries that people seem to find Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Mogol D. Shapiro Michael Julian Lyricist Mogol D. Shapiro Michael Julian Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Mogol, D. Shapiro and Michael Julian. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Let's Live For Today