2168 10 26636 Score A musical score. Copyright (this edition) 1964 Refrain Line or lines repeated in the music, also known as the chorus. Oh, how laughable it is, that you always adore the very one Instrumentation The instruments used to play the music. Piano Guitar Composer Mark Sandrich Lyricist Sidney Michaels Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Mark Sandrich. Words by Sidney Michaels. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Laughable It Is Relation A related resource Ben Franklin In Paris Score A musical score. Copyright (this edition) 1909 Refrain Line or lines repeated in the music, also known as the chorus. How I love a pretty face, how I love their arts First Line The opening line of the score. I've been a gay and restless rover, I've lived and loved Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Heinrich Reinhardt Lyricist Robert B. Smith Original Copyright 1909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How I Love A Pretty Face Language A language of the resource English Score A musical score. Copyright (this edition) 1955 First Line The opening line of the score. How important can it be that I tasted other lips? Instrumentation The instruments used to play the music. Piano Guitar Ukulele Composer Bennie Benjamin George Weiss Lyricist Bennie Benjamin George Weiss Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by George Weiss and Bennie Benjamin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Important Can It Be? Score A musical score. Copyright (this edition) 1911 Refrain Line or lines repeated in the music, also known as the chorus. Oh, how I hate to leave you, honey, dear, 'deed I do First Line The opening line of the score. Why the Broadway girl's not one, two , three with my Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Barclay Walker Lyricist Barclay Walker Original Copyright 1911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How I Hate To Leave You Language A language of the resource English Score A musical score. Copyright (this edition) 1940 Refrain Line or lines repeated in the music, also known as the chorus. Somewhere there's music, How faint the tune! Somewhere First Line The opening line of the score. Until I fell in love my life was very easy Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer Morgan Lewis Lyricist Nancy Hamilton Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Morgan Lewis. Words by Nancy Hamilton. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How High The Moon Relation A related resource Two For The Show Score A musical score. Copyright (this edition) 1966 Refrain Line or lines repeated in the music, also known as the chorus. How green was my valley, how sweet the sunlit loam. Instrumentation The instruments used to play the music. Piano Guitar Composer John Morris Lyricist Gerald Greedman John Morris Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by John Morris. Words by John Morris and Gerald Greedman. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Green Was My Valley Relation A related resource Time For Singing Score A musical score. Copyright (this edition) 1894 Refrain Line or lines repeated in the music, also known as the chorus. East side, West side, All around the town, First Line The opening line of the score. Down in front of Casey's,.... Old brown wooden stoop, Instrumentation The instruments used to play the music. Piano Guitar Composer Chas. B. Lawler James W. Blake Lyricist Chas. B. Lawler James W. Blake Arranger Chas. Miller Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Chas. Miller. Words and music by James W. Blake and Chas. B. Lawler. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sidewalks Of New York Score A musical score. Copyright (this edition) 1955 Refrain Line or lines repeated in the music, also known as the chorus. Then sings my soul my savior God to thee First Line The opening line of the score. O Lord my God when I in awesome wonder Instrumentation The instruments used to play the music. Piano Guitar Composer Stuart K. Hine Performer George Beverly Shea Byline Raw byline information, carried over from previous iterations of the sheet music database. Voice English Note Miscellaneous information about this record. Recorded by George Beverly Shea for R.C.A. Victor Records Stuart K. Hine also known as S.K. Hine Original Copyright 1955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Great Thou Art Publisher An entity responsible for making the resource available Manna Music, Inc. https://sheetmusic.santacruzpl.org/files/original/be065be5e0e1ce2918e1dae5212a7978.PDF 6a7647b33c807a848274913c7959c3b8 Score A musical score. Copyright (this edition) 1931 First Line The opening line of the score. How glad I am each Christmas Eve Instrumentation The instruments used to play the music. Piano Voice English Lyricist Marie Wexeisen Translator P. A. Sveeggen Peter Andrew Sveeggen Note Miscellaneous information about this record. Norway P. A. Sveeggen also known as Peter Andrew Sveeggen From "Christmas Around the World" - Augsburg Publishing House Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Glad I Am Each Christmas Eve Christmas Score A musical score. Copyright (this edition) 1955 Refrain Line or lines repeated in the music, also known as the chorus. How far is heaven? When can I go? To see my Daddy First Line The opening line of the score. little girl was waiting for her daddy one day Instrumentation The instruments used to play the music. Piano Guitar Composer Jimmie Davis Tillman Franks Lyricist Jimmie Davis Tillman Franks Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Tillman Franks and Jimmie Davis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Far is Heaven