2169 10 26636 Score A musical score. Copyright (this edition) 1891 First Line The opening line of the score. How dry I am, how dry I am, nobody knows Instrumentation The instruments used to play the music. Piano Composer Edward W. Rimbault Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Edward W. Rimbault. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How dry I Am Score A musical score. Copyright (this edition) 1962 Refrain Line or lines repeated in the music, also known as the chorus. How does the wine taste? Does it sting your lips? Instrumentation The instruments used to play the music. Piano Guitar Composer Harold Karr Lyricist Matt Dubey Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Harold Karr. Words by Matt Dubey. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Does The Wine Taste? Relation A related resource We Take The Town Score A musical score. Copyright (this edition) 1966 Refrain Line or lines repeated in the music, also known as the chorus. How does that grab you, darlin'? How does that mess your First Line The opening line of the score. You came by at two oclock you should've been by at ten Instrumentation The instruments used to play the music. Piano Guitar Composer Lee Hazelwood Lyricist Lee Hazelwood Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Lee Hazelwood. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Does That Grab You, Darlin' Score A musical score. Subtitle To Have A Broken Heart Copyright (this edition) 1941 Refrain Line or lines repeated in the music, also known as the chorus. How does it feel to have somebody laugh while you cry First Line The opening line of the score. You thought you could play with love and do with it Instrumentation The instruments used to play the music. Piano Guitar Composer Larry Wagner Lou Ricca Lyricist Larry Wagner Lou Ricca Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Lou Ricca and Larry Wagner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Does It Feel Score A musical score. Copyright (this edition) 1952 Refrain Line or lines repeated in the music, also known as the chorus. How do you speak to an angel? I'm completely in the dark. First Line The opening line of the score. I've never been at a loss for words Instrumentation The instruments used to play the music. Piano Guitar Ukulele Composer Bob Hilliard Lyricist Jules Styne Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Bob Hilliard. Words by Jule Styne. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Do You Speak To An Angel? Relation A related resource Hazel Flagg Score A musical score. Copyright (this edition) 1892 First Line The opening line of the score. There is a flower within my heart, Daisy, Daisy! Instrumentation The instruments used to play the music. Piano Guitar Composer Harry Dacre Lyricist Harry Dacre Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Harry Dacre. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daisy Bell Score A musical score. Copyright (this edition) 1904 Refrain Line or lines repeated in the music, also known as the chorus. Meet me in St. Louis, Louis, Meet me First Line The opening line of the score. When Louis came home to the flat, He hung up Instrumentation The instruments used to play the music. Piano Guitar Composer Kerry Mills Lyricist Andrew B. Sterling Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Kerry Mills. Words by Andrew B. Sterling. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meet Me In St. Louis, Louis Score A musical score. Copyright (this edition) 1903 Refrain Line or lines repeated in the music, also known as the chorus. Ida! sweet as apple cider, sweeter than all I know. First Line The opening line of the score. In the region where the roses always bloom, Instrumentation The instruments used to play the music. Piano Guitar Composer Eddie Munson Lyricist Eddie Leonard Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Eddie Munson. Words by Eddie Leonard. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ida! Sweet as Apple Cider Score A musical score. Copyright (this edition) 1905 Refrain Line or lines repeated in the music, also known as the chorus. Wait 'till the sun shines, Nellie, When the clouds go First Line The opening line of the score. On a Sunday Morn, sat a maid forlorn, Instrumentation The instruments used to play the music. Piano Guitar Composer Harry Von Tilzer Lyricist Andrew B. Sterling Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Harry Von Tilzer. Words by Andrew B. Sterling. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wait 'Till The Sun Shines, Nellie Score A musical score. Copyright (this edition) 1902 Refrain Line or lines repeated in the music, also known as the chorus. Won't you come home, Bill Bailey, won't you come home? First Line The opening line of the score. On one summer's day........ Sun was shinging fine, Instrumentation The instruments used to play the music. Piano Guitar Composer Hughie Cannon Lyricist Hughie Cannon Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Hughie Cannon. DEV_ISSUE_ID This is a development field that was used to link this item with another. 43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bill Bailey, Won't You Please Come Home?