2434 10 26636 Score A musical score. Subtitle Gypsy Song Copyright (this edition) 1951 Refrain Line or lines repeated in the music, also known as the chorus. gypsy with a crystal ball to gaze in can look into the future Instrumentation The instruments used to play the music. Piano Guitar Composer Vaughn Horton Lyricist Vaughn Horton Performer Patti Page Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Vaughn Horton. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come What May Score A musical score. Subtitle Vieni Sul Mar! Copyright (this edition) 1920 First Line The opening line of the score. Wake, beloved, the moonlight is gliding, spreading far o'er the ocean it's ray Instrumentation The instruments used to play the music. Piano Lyricist Sigmund Spaeth Byline Raw byline information, carried over from previous iterations of the sheet music database. Words by Sigmund Spaeth. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To The Sea! Language A language of the resource English Italian Score A musical score. Copyright (this edition) 1957 Refrain Line or lines repeated in the music, also known as the chorus. Come to me, now that I have found you, come to me, wrap my love around you. Instrumentation The instruments used to play the music. Piano Composer Robert Allen Lyricist Peter Lind Hayes Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Robert Allen. Words by Peter Lind Hayes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To Me Relation A related resource Come To Me Score A musical score. Copyright (this edition) 1933 First Line The opening line of the score. I got a lot a lot of what I got and what I got's all mine Instrumentation The instruments used to play the music. Piano Composer Lewis Alter Lyricist Arthur Swanstrom Arranger Walter Paul Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Lewis Alter. Words by Arthur Swanstrom. Arranged by Walter Paul. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Up And See Me Sometime Relation A related resource Take a Chance Score A musical score. Copyright (this edition) 1961 First Line The opening line of the score. If the song of the song bird could replace my wrong word, then my dear, that's the song Instrumentation The instruments used to play the music. Piano Guitar Composer Bob Elgin Dolores Phillips Frank Augustus Lyricist Bob Elgin Dolores Phillips Frank Augustus Performer Manfred Mann Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Dolores Phillips, Frank Augustus and Bob Elgin. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Tomorrow Score A musical score. Copyright (this edition) 1947 Refrain Line or lines repeated in the music, also known as the chorus. I heard them sing Come to the Mardi Gras First Line The opening line of the score. Rio was dressed for fiesta that night Instrumentation The instruments used to play the music. Piano Guitar Composer Max Bulhoes Milton de Oliveira Lyricist Ervin Drake Jimmy Shirl Performer Mark Carter The Threesome Victor Lombardo Byline Raw byline information, carried over from previous iterations of the sheet music database. Voice English Note Miscellaneous information about this record. Featured by Mark Carter and The Threesome with Victor Lombardo and his Orchestra Original Copyright 1937 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To The Mardi Gras : Nao Tenho Lagrimas Publisher An entity responsible for making the resource available Peer International Corporation Score A musical score. Copyright (this edition) 1926 First Line The opening line of the score. sun is a shining to welcome the day, heigh-ho! come to the fair! Instrumentation The instruments used to play the music. Piano Composer Easthope Martin Lyricist Helen Taylor Arranger G. Ackley Brower Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Easthope Martin. Words by Helen Taylor. Arranged by G. Ackley Brower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To The Fair Score A musical score. Copyright (this edition) 1910 First Line The opening line of the score. Come with me, come to the ball, music and merriment call, Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Lionel Monckton Lyricist Adrian Ross Percy Greenbank Original Copyright 1910 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To The Ball Relation A related resource The Quaker Girl Language A language of the resource English Score A musical score. Subtitle Mama Do Copyright (this edition) 1956 First Line The opening line of the score. Any time your heart is crying, come to papa mama do Instrumentation The instruments used to play the music. Piano Guitar Composer Heino Gaze Lyricist Roz Gordon Arranger Horace Diaz Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Heino Gaze. Words by Roz Gordon. Arranged by Horace Diaz. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To Papa Score A musical score. Copyright (this edition) 1947 Refrain Line or lines repeated in the music, also known as the chorus. Come to me, bend to me kiss me good day! First Line The opening line of the score. Because they've told me I can't behold ye till weddin' music starts Instrumentation The instruments used to play the music. Piano Guitar Composer Frederick Loewe Lyricist Alan Jay Lerner Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Frederick Loewe. Words by Alan Jay Lerner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come To Me Bend To Me Relation A related resource Brigadoon