2436 10 26636 Score A musical score. Copyright (this edition) 1958 First Line The opening line of the score. Well, come on. Let's go, let's go, let's go, little darlin' Instrumentation The instruments used to play the music. Piano Guitar Composer Ritchie Valens Performer Ritchie Valens Byline Raw byline information, carried over from previous iterations of the sheet music database. By Ritchie Valens. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come On, Let's Go Score A musical score. Copyright (this edition) 1966 First Line The opening line of the score. Come on down to my boat, baby, come on down where we can play. Instrumentation The instruments used to play the music. Piano Guitar Organ Note Miscellaneous information about this record. Come Down To My Boat Composer Jerry Goldstein Wes Farrell Lyricist Jerry Goldstein Wes Farrell Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Jerry Goldstein and Wes Farrell. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come On Down To My Boat Score A musical score. Copyright (this edition) 1955 Refrain Line or lines repeated in the music, also known as the chorus. Come on, come in, it's not so late, come on, come in, cooperate Instrumentation The instruments used to play the music. Piano Guitar Ukulele Composer Al Frisch Fred Wise Kay Twomey Lyricist Al Frisch Fred Wise Kay Twomey Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Al Frisch, Fred Wise and Kay Twomey. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come On Come In Score A musical score. Copyright (this edition) 1911 Refrain Line or lines repeated in the music, also known as the chorus. Come on boys be game, come act lively and quick, its almost time First Line The opening line of the score. For many days, many years, are sweetly gone by, sweet moments seem to fly Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Charles J. W. Jerreld Lyricist A. S. Dzieman Original Copyright 1911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come On Boys Be Game Language A language of the resource English https://sheetmusic.santacruzpl.org/files/original/32300ecf65e5d1d9fc9c1ae281deebc4.PDF 7b0e97181db9d04d23559a8234e0ac82 Score A musical score. Copyright (this edition) 1918 First Line The opening line of the score. Come, O come and let us sing Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. To the Musicians Club of Los Angeles Composer Frank H. Colby Lyricist Frank H. Colby Voice English Refrain Line or lines repeated in the music, also known as the chorus. Come, O come and let us sing Original Copyright 1918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come, O Come And Let Us Sing Publisher An entity responsible for making the resource available Colby & Pryibil California Score A musical score. Copyright (this edition) 1940 Refrain Line or lines repeated in the music, also known as the chorus. Come little boykins, time for your bed, play time is over First Line The opening line of the score. Once when the shades of night were falling, my little boy was still at play Instrumentation The instruments used to play the music. Piano Guitar Composer Harry Pappy Cheshire J. G. McLellan Lyricist Harry Pappy Cheshire J. G. McLellan Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Pappy Cheshire and J. G. McLellan. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Little Boykins Score A musical score. Copyright (this edition) 1937 Refrain Line or lines repeated in the music, also known as the chorus. Come Josephine in my flying machine First Line The opening line of the score. Oh say let us fly dear Instrumentation The instruments used to play the music. Piano Guitar Composer Fred Fischer Lyricist Alfred Bryan Original Copyright 1910 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Josephine In My Flying Machine : Up She Goes Language A language of the resource English Score A musical score. Copyright (this edition) 1960 First Line The opening line of the score. As I came to the edge of the woods Instrumentation The instruments used to play the music. Piano Composer Randall Thompson Lyricist Robert Frost Byline Raw byline information, carried over from previous iterations of the sheet music database. Voice English Refrain Line or lines repeated in the music, also known as the chorus. As I came to the edge of the woods Note Miscellaneous information about this record. To the Townspeople of Amherst, Massachusetts 1759-1959 "Come In" from the book 'You Come Too' by Robert Frost Three-part Chorus for Women's Voices with Piano Accompaniment E. C. S. Choral Music, No 2539 Soprano & Alto Original Copyright 1959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come In Publisher An entity responsible for making the resource available E. C. Schirmer Music Co. Score A musical score. Copyright (this edition) 1958 First Line The opening line of the score. Come home I need you, darling, can't you see, that's the way it ought to be Instrumentation The instruments used to play the music. Piano Guitar Organ Composer Jack Panes John Bowden Murray Wallberg Lyricist Jack Panes John Bowden Murray Wallberg Arranger George N. Terry Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by George N. Terry. Words and music by Jack Panes, Murray Wallberg and John Bowden. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Home Score A musical score. Copyright (this edition) 1947 First Line The opening line of the score. Come home, come home, where the brown birds fly Instrumentation The instruments used to play the music. Piano Composer Richard Rodgers Lyricist Oscar Hammerstein II Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Richard Rodgers. Words by Oscar Hammerstein II. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Home Relation A related resource Allegro