2438 10 26636 Score A musical score. Copyright (this edition) 1965 Refrain Line or lines repeated in the music, also known as the chorus. Hear my voice where you are! Take a train steal a car hop a freight Instrumentation The instruments used to play the music. Piano Guitar Composer Burton Lane Lyricist Alan Jay Lerner Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Burton Lane. Words by Alan Jay Lerner. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back To Me Relation A related resource On A Clear Day You Can See Forever Score A musical score. Copyright (this edition) 1914 Refrain Line or lines repeated in the music, also known as the chorus. Come back to me, heart of my heart, come back to me, dear First Line The opening line of the score. Come back to me, dear heart of mine, and bring back the sunshine Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) Composer Albert Von Tilzer Lyricist Albert Von Tilzer Original Copyright 1914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back To Me Language A language of the resource English Score A musical score. Subtitle My Love Copyright (this edition) 1960 Refrain Line or lines repeated in the music, also known as the chorus. Bom bom bom da dee la oh bom bom bom da dee la First Line The opening line of the score. Sixteen years ago today early one Sunday morn Instrumentation The instruments used to play the music. Piano Guitar Composer Roy Orbison Joe Melson Byline Raw byline information, carried over from previous iterations of the sheet music database. By Joe Melson and Roy Orbison. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back To Me Score A musical score. Copyright (this edition) 1912 First Line The opening line of the score. Come back to Erin, Mavourneen, Mavourneen, come back, aroon to the land of my birth Instrumentation The instruments used to play the music. Piano Accordion Note Miscellaneous information about this record. Folio size (pre-1920) Composer Claribel Charlotte Alington Barnard Lyricist Claribel Charlotte Alington Barnard Original Copyright 1912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back To Erin Language A language of the resource English Score A musical score. Copyright (this edition) 1958 Refrain Line or lines repeated in the music, also known as the chorus. Come back, baby, baby won't you come back, come back baby to me,hee-hee First Line The opening line of the score. Come back baby, baby won't you come back? Instrumentation The instruments used to play the music. Piano Guitar Composer Norman Petty Fred Neil Lyricist Norman Petty Fred Neil Arranger Dick Kent Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Dick Kent. Words and music by Fred Neil and Norman Petty. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back Baby Score A musical score. Copyright (this edition) 1920 Refrain Line or lines repeated in the music, also known as the chorus. Loves sweet lullaby, dreams that never die, memories that bring you near First Line The opening line of the score. I've been oh so lonely since you went away Instrumentation The instruments used to play the music. Piano Composer Catherine Bernard Lyricist Catherine Bernard Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Catherine Bernard. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back And Drive The Clouds Away Score A musical score. Copyright (this edition) 1963 Refrain Line or lines repeated in the music, also known as the chorus. Nothing takes away the hurt I feel in my heart, there's no way to stop my tears First Line The opening line of the score. Come back, come back, come back, come back, come back to me Instrumentation The instruments used to play the music. Piano Guitar Composer Eddie Snyder Paul Vance Lyricist Eddie Snyder Paul Vance Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Eddie Snyder and Paul Vance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Back Score A musical score. Subtitle Traditional Spanish Ballad Copyright (this edition) 1967 First Line The opening line of the score. Come at dawn, my beloved, come to me at the dawn Instrumentation The instruments used to play the music. Piano Composer Eugene Butler Byline Raw byline information, carried over from previous iterations of the sheet music database. By Eugene Butler. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come At Dawn Score A musical score. Copyright (this edition) 1910 Refrain Line or lines repeated in the music, also known as the chorus. Come along my Mandy sweet as sugar candy First Line The opening line of the score. Mandy put your best clothes on and come along Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. Folio size (pre-1920) American version written & sung by Nora Bayes & Jack Norworth Introduced in Lew Fields' 1910 Broadway Musical "The Jolly Bachelors" Copyright 1910 Francis, Day & Hunter Composer Nora Bayes Jack Norworth Tom Mellor Alf. J. Lawrence Harry Gifford Lyricist Nora Bayes Jack Norworth Tom Mellor Alfred J. Lawrence Harry Gifford Performer Nora Bayes Jack Norworth Voice English Original Copyright 1907 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Come Along My Mandy Publisher An entity responsible for making the resource available Francis, Day & Hunter Score A musical score. Subtitle In Ireland He Was Born Copyright (this edition) 1947 Refrain Line or lines repeated in the music, also known as the chorus. It's all wrong, all a mistake, they don't know what they say First Line The opening line of the score. Four hundred years ago they say, Columbus landed here Instrumentation The instruments used to play the music. Piano Guitar Composer Charles Graham Lyricist Monroe H. Rosenfeld Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Charles Graham. Words by Monroe H. Rosenfeld. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Columbus Was An Irishman