2526 10 26636 Score A musical score. Copyright (this edition) 1946 Refrain Line or lines repeated in the music, also known as the chorus. Beware, my heart! You're getting in too deep. Take care my heart! First Line The opening line of the score. I'm known as some-one who is tactical the quickest trigger brain in town Instrumentation The instruments used to play the music. Piano Guitar Composer Sam Coslow Lyricist Sam Coslow Performer Vaughn Monroe Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Sam Coslow. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beware My Heart Relation A related resource Carnegie Hall Score A musical score. Copyright (this edition) 1938 Refrain Line or lines repeated in the music, also known as the chorus. Love needs no debating, it's hello, or goodbye yet I'm between a kiss and a sigh First Line The opening line of the score. Must there be this secrecy? You never let me know much Instrumentation The instruments used to play the music. Piano Guitar Composer Arthur Johnston Lyricist John Burke Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Arthur Johnston. Words by John Burke. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Between A Kiss And A Sigh Score A musical score. Subtitle Collegiate Sweetheart Song Copyright (this edition) 1930 Refrain Line or lines repeated in the music, also known as the chorus. Betty co-ed has lips of red for Harvard, Betty co-ed has eyes of Yale's deep blue First Line The opening line of the score. Flirtation is an art with Betty Co-ed, her station quite depends upon her charm... Instrumentation The instruments used to play the music. Piano Banjo Guitar Ukulele Composer Rudy Vallee J. Paul Fogarty Lyricist Rudy Vallee J. Paul Fogarty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Betty Co-ed Language A language of the resource English Score A musical score. Copyright (this edition) 1965 Refrain Line or lines repeated in the music, also known as the chorus. Lie down Betty see what tomorrow brings, lie down Betty see what tomorrow brings First Line The opening line of the score. Betty told Dupree,buy me a diamond ring Betty told Dupree Instrumentation The instruments used to play the music. Piano Guitar Composer Milton Okun Arranger Mary Travers Paul Stookey Peter Yarrow Byline Raw byline information, carried over from previous iterations of the sheet music database. Arranged by Mary Travers, Paul Stookey and Peter Yarrow. By Milton Okun. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Betty & Dupree Score A musical score. Subtitle Dancing Song Copyright (this edition) 1923 Refrain Line or lines repeated in the music, also known as the chorus. Pretty Betty, don't you 'fretty', I'll be there, dearest Betty First Line The opening line of the score. When you came to live beside us, it seemed that fate would guide us Instrumentation The instruments used to play the music. Piano Composer Paul Ash Neil Moret Lyricist Barton Mac Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Paul Ash and Neil Moret. Words by Barton Mac. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Betty Score A musical score. Copyright (this edition) 1954 Refrain Line or lines repeated in the music, also known as the chorus. Bettina Bettina even on a mountain top they serenade her First Line The opening line of the score. fellows follow Bettina with her sentimental glamour, you should see Instrumentation The instruments used to play the music. Piano Guitar Composer Eddy Rogers Leonard Whitcup Paul Cunningham Lyricist Eddy Rogers Leonard Whitcup Paul Cunningham Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Eddy Rogers, Leonard Whitcup and Paul Cunningham. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bettina Score A musical score. Copyright (this edition) 1945 Refrain Line or lines repeated in the music, also known as the chorus. Somewhere beyond the sea somewhere waiting for me, my lover stands on golden sands Instrumentation The instruments used to play the music. Piano Note Miscellaneous information about this record. English lyircs by Jack Lawrence. Original French Composer Charles Trenet Lyricist Charles Trenet Jack Lawrence Byline Raw byline information, carried over from previous iterations of the sheet music database. Words by Jack Lawrence. Words and music by Charles Trenet. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beyond The Sea Score A musical score. Copyright (this edition) 1949 First Line The opening line of the score. Beyond the reef, where the sea is dark and cold, my love has gone Instrumentation The instruments used to play the music. Piano Guitar Composer Jack Pitman Lyricist Jack Pitman Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Jack Pitman. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beyond The Reef Score A musical score. Copyright (this edition) 1939 First Line The opening line of the score. Have you heard about a place in town, an eatin' place, drinkin' place Instrumentation The instruments used to play the music. Piano Guitar Composer Dick Rogers Will Osborne Lyricist Dick Rogers Will Osborne Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Will Osborne and Dick Rogers. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Between 18th And 19th On Chestnut Street Score A musical score. Copyright (this edition) 1964 First Line The opening line of the score. If you see me out dancing, don't think I'm happy, it's just better than crying Instrumentation The instruments used to play the music. Piano Guitar Composer Frank Daniels Lyricist Dorothy Daniels Arranger Dick Kent Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Frank Daniels. Words by Dorothy Daniels. Arranged by Dick Kent. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Better Than Crying