505 10 26636 Score A musical score. Copyright (this edition) 1984 Refrain Line or lines repeated in the music, also known as the chorus. On the edge of a dream, (you know we are) on the edge First Line The opening line of the score. If tomorrow never comes, would you still belong to me? Instrumentation The instruments used to play the music. Piano Composer Adams Vallance Lyricist Adams Vallance Performer Joe Cocker Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Vallance and Adams. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edge Of A Dream Relation A related resource Teachers Score A musical score. Copyright (this edition) 1984 First Line The opening line of the score. If I could ever say it right, and reach your hostage heart Instrumentation The instruments used to play the music. Piano Composer Daniel Fogelberg Lyricist Daniel Fogelberg Performer Daniel Fogelberg Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Daniel Fogelberg. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Believe In Me Score A musical score. Copyright (this edition) 1983 Refrain Line or lines repeated in the music, also known as the chorus. Baby come back. Baby come back,'cause I'm all alone First Line The opening line of the score. I'm staring at the four walls, sitting here, waiting Instrumentation The instruments used to play the music. Piano Composer Billy Rankin Lyricist Billy Rankin Performer Billy Rankin Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Billy Rankin. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baby Come Back Score A musical score. Copyright (this edition) 1981 Refrain Line or lines repeated in the music, also known as the chorus. That's how it's got to be, now. 'Cause I don't have no use of what you loosely call the truth. First Line The opening line of the score. prisoner of your love, entangled in your web Instrumentation The instruments used to play the music. Piano Composer Holly Knight Mike Chapman Nicky Chinn Lyricist Holly Knight Mike Chapman Nicky Chinn Performer Tina Turner Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Holly Knight, Nicky Chinn and Mike Chapman. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Better Be Good To Me Score A musical score. Subtitle In Your Arms Copyright (this edition) 1982 Refrain Line or lines repeated in the music, also known as the chorus. Hold me in your arms tonight, fill my life with pleasure First Line The opening line of the score. I'll hold you, and touch you and make you my woman Instrumentation The instruments used to play the music. Piano Composer Linda Creed Michael Masser Lyricist Linda Creed Michael Masser Performer Teddy Pendergrass Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Linda Creed and Michael Masser. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hold Me Score A musical score. Copyright (this edition) 1983 First Line The opening line of the score. It may be way too early in the game for you or me Instrumentation The instruments used to play the music. Piano Composer Bob Gaudio Jerry Corbetta Lyricist Bob Crewe Performer Peabo Bryson Roberta Flack Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Jerry Corbetta and Bob Gaudio. Words by Bob Crewe. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource You're Looking Like Love To Me Score A musical score. Copyright (this edition) 1984 Refrain Line or lines repeated in the music, also known as the chorus. If ever you're in my arms again, this time First Line The opening line of the score. It all came so easy, all the lovin' you gave me; Instrumentation The instruments used to play the music. Piano Composer Cynthia Weil Michael Masser Tom Snow Lyricist Cynthia Weil Michael Masser Tom Snow Performer Peabo Bryson Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Cynthia Weil, Tom Snow and Michael Masser. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If Ever You're In My Arms Again Score A musical score. Copyright (this edition) 1983 Refrain Line or lines repeated in the music, also known as the chorus. Miss me, I know you'll miss me; I know you'll miss me blind First Line The opening line of the score. Bet you got a good gun; bet you know how to have some fun Instrumentation The instruments used to play the music. Piano Composer Culture Club Lyricist Culture Club Performer Culture Club Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Culture Club Culture Club. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miss Me Blind Score A musical score. Copyright (this edition) 1984 First Line The opening line of the score. Oh, the night is my world; city lights, painted girls. Instrumentation The instruments used to play the music. Piano Composer Giancarlo Bigazzi Raffaele Riefoli Lyricist Steve Piccolo Performer Laura Branigan Byline Raw byline information, carried over from previous iterations of the sheet music database. Music by Raffaele Riefoli and Giancarlo Bigazzi. Words by Steve Piccolo. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Self Control Score A musical score. Subtitle No More Love On The Run Copyright (this edition) 1984 Refrain Line or lines repeated in the music, also known as the chorus. Caribbean queen, now we're sharing the same dream, and our hearts they beat as one First Line The opening line of the score. She dashed by me in painted on jeans and all heads turned 'cause she was the cream Instrumentation The instruments used to play the music. Piano Composer Billy Ocean Keith Diamond Lyricist Billy Ocean Keith Diamond Performer Billy Ocean Byline Raw byline information, carried over from previous iterations of the sheet music database. Words and music by Billy Ocean and Keith Diamond. DEV_BOOK_ID This is a development field that was used to link this item with another. 168 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caribbean Queen